Artist Spotlight: Vanessa Barragão
- May 12
- 2 min read
Updated: Aug 12
Tell us a little about your journey into textile art. What first drew you to this medium?
I started working with textiles from a young age. My grandmothers taught me techniques like crochet, which I still use in my work today. Later, after my master’s in Fashion Design, I worked at a handmade rug factory. That experience opened my eyes to the amount of waste created by the textile industry, and it completely changed my perspective. Since then, I’ve been focused on using leftover wool and other textile waste to create handmade artworks using traditional methods.
Your work beautifully blends art, craft, and sustainability. How do environmental concerns influence your creative choices?
Sustainability is at the center of everything I do. It’s not just about the final artwork, but also how it’s made and what it represents. One memory that shaped me was seeing coral bleaching in the Caribbean when I was younger. That image stayed with me and continues to inspire many of my artworks, which often look like underwater landscapes or natural formations.
Could you share a bit about your process? From concept to finished piece, what does a typical project look like?
My creative process is very intuitive. I take inspiration from ocean life, coral reefs, and nature, not only from where I grew up, the Algarve, but also from other places I have been. After, I see what materials I have and in which conditions they are, so I can choose colors and textures based on the materials I have available. Every artwork is unique and shaped organically. Embroidery, crochet, and latch hook are a few of the techniques I use to add fine detail and texture. It brings the work to life and helps tell a deeper story.
What role do you think contemporary textile artists play in today’s art and design world?
I believe textile artists today have an important role. We connect traditional crafts with modern themes and often bring attention to important topics like climate change and sustainability. Our work is a powerful way to raise awareness and start conversations.
Is there a particular project or collection that feels especially meaningful to you? We'd love to highlight it.
One special project for me was Living Coral, a tapestry that is now part of the United Nations' permanent collection. It highlights the importance of ocean health and climate action, and it was a true honor to have it recognized in that way.
What’s next for you and the studio? Are there any upcoming projects or ideas you’re excited about?
Right now, we’re working on a big solo exhibition, and I’m also excited about some new collaborations coming soon. I’m always looking for ways to share meaningful stories through my work while respecting both nature and traditional craft.
